While it’s not a flat out rejection, there’s certainly a sense of hesitation and even trepidation at the idea. If anything, she rejects him–she tells him she’d like to be friends though (a modern response in 1943!).

In the scene, Graham asks Charlie if she’d be interested in pursing a relationship after the whole Merry Widow mess has passed over. I’ve seen this movie countless times and one scene in particular always catches my eye: it occurs in the garage, when Charlie is alone with Jack Graham (Macdonald Carey), a detective who was sent to Santa Rosa in search of Uncle Charlie. As the movie progresses, Charlie discovers that her beloved Uncle might not be what he seems to be–is he the notorious Merry Widow strangler that preys on old, rich women? Or is he an innocent man, wronged by the law? There’s also “Little” Charlie (Wright), who loves and adores her Uncle. If you’re a movie fan, classic or modern, you probably know the story: Uncle Charlie (Cotten) comes back to his old hometown of Santa Rosa to visit his sister and her family. Shadow of a Doubt is my favorite Hitchcock movie, mainly because of the strong performances by Joseph Cotten (who was my first, big classic movie star obsession) and Teresa Wright*. I woke up in time to record Summer Wishes, Winter Dreams and since Alfred Hitchcock’s Shadow of a Doubt (1943) immediately followed it, I figured I’d watch it.

Last night (this morning?), I wound up falling asleep in front of the tv while Equus was showing on TCM–not because I was bored, but because I was just flat out tired.

Shadow of a doubt visual analysis